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<p class="MsoNormal"><span style="font-size:12.0pt;color:#212121">Dear all,</span><span style="color:#212121"><o:p></o:p></span></p>
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<span style="font-size:12.0pt;color:#212121"> </span><span style="color:#212121"><o:p></o:p></span></p>
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<span style="font-size:12.0pt;color:#212121">At the next Critical Antiquities Workshop, we have the pleasure of hosting <b>Mario Telò
</b>(University of California, Berkeley) for his talk, <b>‘Geopower, Blackness, and the Pandemic: Reading Antigone with Du Bois and Hartman.’</b></span><span style="color:#212121"><o:p></o:p></span></p>
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<span style="font-size:12.0pt;color:#212121"> </span><span style="color:#212121"><o:p></o:p></span></p>
<p class="MsoNormal" style="caret-color: rgb(33, 33, 33);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:12.0pt;color:#212121">The event will take place<b> on Zoom on</b><span class="apple-converted-space"> <b>Thursday,</b>
</span><b>April 27, 9:30-11am</b>. And here is the time in other locations:</span><span style="color:#212121"><o:p></o:p></span></p>
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<span style="font-size:12.0pt;color:#212121"> </span><span style="color:#212121"><o:p></o:p></span></p>
<ul style="margin-top:0cm;caret-color: rgb(33, 33, 33);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px" type="disc">
<li class="MsoNormal" style="color:#212121;mso-list:l1 level1 lfo3"><b><span style="font-size:12.0pt">New York</span></b><span style="font-size:12.0pt">: Wednesday, March 29, 7:30pm</span><o:p></o:p></li><li class="MsoNormal" style="color:#212121;mso-list:l1 level1 lfo3"><b><span style="font-size:12.0pt">Chicago</span></b><span style="font-size:12.0pt">: Wednesday, March 29, 6:30pm</span><o:p></o:p></li><li class="MsoNormal" style="color:#212121;mso-list:l1 level1 lfo3"><b><span style="font-size:12.0pt">Mexico City</span></b><span style="font-size:12.0pt">: Wednesday, March 29, 5:30pm</span><o:p></o:p></li><li class="MsoNormal" style="color:#212121;mso-list:l1 level1 lfo3"><b><span style="font-size:12.0pt">Los Angeles</span></b><span style="font-size:12.0pt">: Wednesday, March 29, 4:30pm</span><o:p></o:p></li><li class="MsoNormal" style="color:#212121;mso-list:l1 level1 lfo3"><b><span style="font-size:12.0pt">Beijing</span></b><span style="font-size:12.0pt">/<b>Singapore</b>/<b>Perth</b>: Thursday, March 30, 7:30am</span><o:p></o:p></li><li class="MsoNormal" style="color:#212121;mso-list:l1 level1 lfo3"><b><span style="font-size:12.0pt">Tokyo</span></b><span style="font-size:12.0pt">: Thursday, March 30, 8:30am</span><o:p></o:p></li><li class="MsoNormal" style="color:#212121;mso-list:l1 level1 lfo3"><b><span style="font-size:12.0pt">Adelaide</span></b><span style="font-size:12.0pt">: Thursday, March 30, 9am</span><o:p></o:p></li></ul>
<p class="MsoNormal" style="caret-color: rgb(33, 33, 33);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:12.0pt;color:#212121"> </span><span style="color:#212121"><o:p></o:p></span></p>
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<span style="font-size:12.0pt;color:#212121">To register, please sign up for the Critical Antiquities Network mailing list here:<span class="apple-converted-space"> </span><a href="https://protect-au.mimecast.com/s/GwZJCzvkyVCG8lnZri4MWGm?domain=signup.e2ma.net/" title="https://protect-au.mimecast.com/s/TQK8C6XQ4LfPoljVycp3mEj?domain=signup.e2ma.net/"><span style="color:#0078D7">https://signup.e2ma.net/signup/1930251/1916146/</span></a><span class="apple-converted-space"> </span> </span><span style="color:#212121"><o:p></o:p></span></p>
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<span style="font-size:12.0pt;color:#212121"> </span><span style="color:#212121"><o:p></o:p></span></p>
<p class="MsoNormal" style="caret-color: rgb(33, 33, 33);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:12.0pt;color:#212121">Here is the abstract:<o:p></o:p></span></p>
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<span style="font-size:12.0pt;color:#212121"> <o:p></o:p></span></p>
<p class="MsoNormal" style="margin-left:36.0pt;caret-color: rgb(33, 33, 33);font-variant-caps: normal;orphans: auto;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:12.0pt;color:#191919">Seizing on the anachronism inherent in every act of reading while refusing the dichotomy between ancient text and modern reception, this paper shows how Greek tragedy can speak to us about the pandemic as well as
 the crises it has aggravated and come to epitomize. Re-reading Antigone in light of Saidiya Hartman’s <em><span style="font-family:"Calibri",sans-serif;border:none windowtext 1.0pt;padding:0cm">Litany for Grieving Sisters</span></em> and W. E. B. Du Bois’s <em><span style="font-family:"Calibri",sans-serif;border:none windowtext 1.0pt;padding:0cm">The
 Comet</span></em> helps us conceptualize the relationship between tragedy and the end of the world, or the end of the human, a prospect that the pandemic and climate change have made palpable. More importantly, this affective and interpretive re-engagement
 with Sophocles’ play might allow us to locate imaginative forms of being beyond extraction and beyond human extinction.<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-left:36.0pt"><span style="font-size:12.0pt;color:#212121"> </span><span style="color:#212121"><o:p></o:p></span></p>
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<span style="font-size:12.0pt;color:#212121">We look forward to seeing you there.</span><span style="color:#212121"><o:p></o:p></span></p>
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<span style="font-size:12.0pt;color:#212121"> </span><span style="color:#212121"><o:p></o:p></span></p>
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<span style="font-size:12.0pt;color:#212121">Tristan and Ben</span><span style="color:#212121"><o:p></o:p></span></p>
<p class="MsoNormal"><o:p> </o:p></p>
<div>
<p class="MsoNormal" style="margin-bottom:12.0pt"><b><span lang="EN-US" style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black;mso-ligatures:none;mso-fareast-language:EN-GB">Tristan Bradshaw</span></b><span lang="EN-US" style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black;mso-ligatures:none;mso-fareast-language:EN-GB"> <br>
Lecturer, School of Liberal Arts | Co-director, Critical Antiquities Network<br>
Faculty of the Arts, Social Sciences and Humanities | Building 19 Room 1085</span><span lang="EN-US" style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red;mso-ligatures:none;mso-fareast-language:EN-GB"><br>
</span><b><span lang="EN-US" style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black;mso-ligatures:none;mso-fareast-language:EN-GB">University of Wollongong</span></b><span lang="EN-US" style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black;mso-ligatures:none;mso-fareast-language:EN-GB"> NSW
 2522 Australia<br>
<b>T </b>+61 2 4221 3850</span><span lang="EN-US" style="font-size:8.0pt;font-family:"Arial",sans-serif;color:red;mso-ligatures:none;mso-fareast-language:EN-GB"><br>
</span><span lang="EN-US" style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#0432FF;mso-ligatures:none;mso-fareast-language:EN-GB"><a href="https://protect-au.mimecast.com/s/yx3uCANpgjCZryVXRC8NOVp?domain=uow.edu.au/" title="https://www.uow.edu.au/"><span style="color:#0432FF">uow.edu.au</span></a></span><span lang="EN-US" style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#0070C0;mso-ligatures:none;mso-fareast-language:EN-GB"> </span><span lang="EN-US" style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black;mso-ligatures:none;mso-fareast-language:EN-GB">|</span><span lang="EN-US" style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#0070C0;mso-ligatures:none;mso-fareast-language:EN-GB"> </span><span lang="EN-US" style="font-size:8.0pt;font-family:"Arial",sans-serif;color:#0432FF;mso-ligatures:none;mso-fareast-language:EN-GB"><a href="https://protect-au.mimecast.com/s/Z2JuCBNqjlCDPQArnHNEebG?domain=criticalantiquities.org" title="https://criticalantiquities.org/"><span style="color:#0432FF">criticalantiquities.org</span></a></span><span style="font-size:13.5pt;color:black;mso-ligatures:none;mso-fareast-language:EN-GB"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black;mso-ligatures:none;mso-fareast-language:EN-GB">Honorary Associate</span><span style="font-size:13.5pt;color:black;mso-ligatures:none;mso-fareast-language:EN-GB"><o:p></o:p></span></p>
<p class="MsoNormal"><b><span lang="EN-US" style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black;mso-ligatures:none;mso-fareast-language:EN-GB">University of Sydney<br>
</span></b><span lang="EN-US" style="font-size:8.0pt;font-family:"Arial",sans-serif;color:black;mso-ligatures:none;mso-fareast-language:EN-GB">School of Humanities, Faculty of Arts and Social Sciences</span><span style="font-size:13.5pt;color:black;mso-ligatures:none;mso-fareast-language:EN-GB"><o:p></o:p></span></p>
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University of Wollongong CRICOS: 00102E</span><span style="font-size:13.5pt;color:black;mso-ligatures:none;mso-fareast-language:EN-GB"><o:p></o:p></span></p>
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